西江海上月——海派绘画与文献研究特展

主办单位：

江西省文物交流中心

江西省美术馆

展览时间：

2024年1月26日——3月29日

展览地点：

江西省美术馆三楼6号展厅

总  策 划：邹建丽  雷   晨

学术主持：苏   敉

策  展 人：潘旭辉

展览统筹：钟代新 孙   建 陈   鹏 蔡   路 

展览执行：李爱国 范进华

视觉设计：黄冰弦 汪文斌 李齐译

藏品管理：王岺虹

文献支持：付志坚

资料整理：黄   平 杨博博

宣传推广：谢侃如 肖   念

公共教育：刘雅琴 涂雪菲 程艳萍

文创开发：唐   波 

展览展务：魏江萍 夏   宏 苏   龙

前言

海上画派，又称“海派”， 中国近代以来最为重要的绘画流派之一。晚清以来，上海开埠，“自海禁一开，贸易之盛，无过上海一隅，而以砚田为生者，亦皆于于而来，侨居卖画”，上海成为书画家汇集之地，一时风雅，于斯为盛。

海派绘画的创作出现兼容并蓄局面，一面积极向传统学习，承“八大”与“八怪”之遗风；一面寄乐山林，深入生活，启“中西合璧”之新风；又善于把诗书画于一体的文人画传统与民间美术结合起来，及从古代刚健雄强的金石艺术中吸取营养，描写民间喜闻乐见的题材，将明清以来大写意技法和强烈的色彩相结合，形成融贯中西，雅俗共赏的新画风。

此次展览从江西省文物交流中心藏明清以来绘画中精选出海派作品六十余件以及相关文献进行展示，着重遴选了江西籍海派画家与受到江西画派画风影响的作品，让观众得以了解海派绘画的渊源、风格与面貌；亦体现了江西省文物交流中心近年的藏品征集成果，也是公藏机构文物活化利用的又一次尝试。

The Shanghai School of Painting, also known as “Haipai”, is one of the most important painting schools in modern China. Since the late Qing Dynasty, with the opening of Shanghai as a port city, “Since the maritime embargo was lifted, trade has thrived in Shanghai more than anywhere else. Those who rely on the art of calligraphy and painting have also gathered here, settling down to sell their artworks”, and it became a hub for artists, creating an elegant and prosperous art scene.

Haipai painting embraced an eclectic approach: actively learning from traditional art, inheriting the styles of  “Bada Shanren” and  “The Eight Eccentrics of Yangzhou”, while also integrating the tranquility of mountains and forests with the vibrancy of everyday life, initiating a new trend of “Sino-Western Integration”. It skillfully combined the literati tradition of integrating poetry, calligraphy, and painting with folk art, and drew inspiration from the robust and powerful ancient art of metal and stone carvings. Haipai artists depicted popular themes, merging the freehand brushwork techniques since the Ming and Qing dynasties with bold colors, creating a style that resonated both with the refined and the common folk.

This exhibition features over sixty selected works of the Haipai style from the Ming and Qing dynasties, chosen from the collection of the Jiangxi Provincial Cultural Relics Exchange Center, along with related documents, focuses on Haipai artists from Jiangxi and those influenced by the Jiangxi school of painting. It allows visitors to explore the origins, styles, and characteristics of Haipai painting. It also reflects the achievements of the Jiangxi Provincial Cultural Relics Exchange Center in amassing its collection over the years,and represents another attempt by public institutions to activate and utilize cultural relics.

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